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Opening Hybrid Skins: 10th October

Opening Hybrid Skins: 10th October

Hybrid Skins, a new exhibition will open tonight at 7pm in TETEM art space (Enschede, The Netherlands) with a performance by Local Androids. Hybrid Skins is all about the world of the future and how artists and designers cope with

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Moffy: new beauty.

Moffy: new beauty.

After her very first shot with Tyrone Leblon, featured in POP magazine, some months ago, Moffy has become like a new beauty manifesto for the fashion industry. Despite her strabismus, Storm (the agency that discovered the top model Kate Moss) just signed

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MODERN ECCENTRIC

MODERN ECCENTRIC

For the October edition of the Italian Vogue, photographer Steven Meisel shot a special short film, entitled ‘Brooklyn Dandies’.

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RICK OWENS CROCO FOR $53.925,-

RICK OWENS CROCO FOR $53.925,-

While Rick Owens received quite some respect with his recent fashion show in Paris – rejecting the conventional beauty and ultimately presenting a more real representation of beauty,

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New York la la la

New York la la la

New York la la la is a cinematic fashion short shot at Paramount Studios in Los Angeles. Filmmaker Aaron Rose teamed up with L’Officiel Hommes editor André Saraiva to create an imaginary remediated scenario. 

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M.I.A x Versus Versace

M.I.A x Versus Versace

“It’s always been a part of the M.I.A. culture – to talk about bootlegs, and people that sell them or make them,” explains M.I.A. “When I was approached by Versace, it seemed like a good idea to take that and

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Neverwinter Tale

Neverwinter Tale

Fashion brand Fendi introduces their new Fall/Winter 2013 collection through the wintry short ‘Neverwinter Tale’.

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Models Don’t Go To Brothels!

Models Don’t Go To Brothels!

Paris fashion week has been quite a theatre this season, Rick Owens redefinition of beauty, Kenzo’s bid to alleviate our waters and its fish, Comme des Garçons fuck you to commercial fashion and last but not least Nina Ricci’s performance

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Givenchy SS14

Givenchy SS14

Since quite a little, Fashion seems to be investigating new ways to present itself in a revolutionary way. Advocating for new and creative forms of demonstrating that catwalks can be more than what it was in its early days, Paris

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‘Making Dreams: Fendi and the Cinema’

‘Making Dreams: Fendi and the Cinema’

Is not surprising to see Fendi featured at the end credits of a many films. From Madonna in Evita, and Michelle Pfeiffer in The Age of Innocence, through to the sublime Isabelle Huppert in Lady of the Camelias, and the slightly

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