Art, People, Video

The New York Times – Modern Love


The New York Times column ‘Modern Love’ is a fascinating look into the magnificent highs and sad lows of love. The stories and their honesty are very compelling and because love is a universal thing, everyone can connect with each author. The columns go side-to-side with animations. The most recent is called ‘Beyond Years’ and deals with a 22-year age difference in a love relationship.

The animation has been made by Brooklyn-based creative Freddy Arenas whose modest style blends the images and the words perfectly together.


Faces 5


Maybe not for the faint of heart (or stomach), this series by Utrecht photographer Ashkan Honarvar who has a long history of working with manipulation and manipulation. Called ‘Faces 5′, this series consists of mutilated faces adorned with frosting, candy sprinkles and candy canes in lieu of blood and injury.

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Egg on your face


Born in 1973 in Switzerland, Urs Fischer now lives in New York and Los Angeles. Fischer is known for his subversive approach to art and is often considered to be influenced by anti-art movements as Neo-Dada, Lost Art or the Situationist International. Since he started showing his work in the mid-nineteen-nineties in Europe, he has produced a massive amount of objects, drawings, collages, and room-sized installations. The following series is part of his ‘problem paintings’ in which he creates paintings of people through history with a hard boiled egg masking their faces.


Donnie Darko 8-bit


CineFix pays tribute to cult classic Donnie Darko in their latest installment of ’8-bit Cinema’. Drawing inspiration from Japenese role playing games from the ’80s, the video reinterprets some of the film’s most iconic scenes. Discover the video after the break and hear “Mad World” in 8-bit as well.

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Architecture Animée


In Architecture Animée, Axel de Stampa uses the GIF format to develop a different approach to motion in architecture. Usually, motion is associated with the 4th dimension: time. Time, through the body, experiences the building. With this project, the building offers different perceptions by coming alive and revealing additional evidence while the visitor doesn’t move.

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