Artistic director Mark Weaver has produced an incredible amount of illustrations, between collage and installation. Discover Weaver’s very personal retro illustrations after the break.
“Animals in Moire” is a personal project by Italian graphic designer Andrea Minini. Inspiration from the animal kingdom is shaped in uniform curves that outline the contours of the animals’ faces. Instead of being organic, these portraits become abstracted and
Dutch artist and illustrator Raymond Lemstra has a new book out, published by Nobrow. Inspired by primitive art, Lemstra focuses on the basis of drawing to incite a visceral human response. He builds a world which is equally subdued and
In the 1970s and 80s, two guys set out to alter billboards with obscure images they made themselves. Their names? Larry Sultan and Mike Mandel. Their images often had no meaning, but were meant to mock advertising. They could be
In her seris ‘Shame on Me’, artist Samantha Wall explores the inner self and exposes the resulting internal negotiations. Forces like feelings, aims, coercion and cravings establish how we create interpersonal relationships and position ourselves in the world. Yet, reflective
‘I Decided To Leave’ is an exquisite surreal animation by Daniel Britt (from This Is It Collective). It features a flawless flow of images and an extremely well-written monologue.
Tokyo based illustrator and graphic designer Kimiaki Yaegashi presents his first solo exhibition in Panatom Gallery (Berlin) during the tenth anniversary of Pictoplasma Berlin Conference. Expect bikini babes, cute pandas and alpacas and delicious pizza-slices. Part sexual-surrealism and part adorable
Spanish illustrator Nuria Riaza is a collector of memories and absurd objects which she stores away in a little tin box.
Illustrations from French artist Marion Fayolle who explores human relationships with comedy. More at cargocollective.com/marionfayolle
Drawings on black paper by Korean artist Kyung Hwan Kwon. Acrylic and color pencils are used to create dynamic drawings of bright explosions and threatening figures in the night. The use of shadows is a key element: Kwon only partially